The Red Right Hand
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W. (Oliver Stone)
7/10
'Interesting character study about a simple man who didn't belong in the Whitehouse but without taking sides, says so little'


THE WACKNESS (Jonathan Levine)
7/10
'Great character study although I am now well aware that a flick set in the early-to-mid 90's is a period piece. Creepy'


WAIST DEEP (Vondie Curtis-Hall)
2/10
'It's like Get Rich Or Die Tryin' all over again; no real reason to watch this unless you live in a quiet suburb and dream of the Los Angeles gang scene'


WAITING... (Rob McKittrick)
2/10
'Dim, meaningless, puerile, inane, witless, moronic, preposterous..... must I really continue?'


WAITRESS (Adrienne Shelly)
5/10
'Take one mediocre script, layer with stereotypical characters add a thick helping of pro-feminist man hating and heat for 107 minutes before serving without cream. Mmm... bland overrated film pie; my favourite'


WALK HARD: THE DEWEY COX STORY (Jake Kasdan)
8/10
'I had pretty low expectations of this film but John C. Reily and the Apatow group show the Scary Movie lot how a spoof should be handled'


WALK THE LINE (James Mangold)
9/10
'Incredible performances, incredible music; a true lesson in how fame can change anyone, and not always for the better'


WALL-E (Andrew Stanton)
9/10
'Yet another hopelessly wonderful family film; Pixar are the new Disney'


WANTED (Timur Bekmambetov)
8/10
'Ridiculous over-the-top nonsense that impressed the hell out of me'


WAR (Philip G. Atwell)
2/10
'A mindless action flick minus the action does not a good film make'


WAR OF THE WORLDS (Steven Spielberg)
6/10
'A bit like Jurassic Park in places and visually jaw dropping BUT THAT UPBEAT ENDING!!! It'll drive you insane'


WE OWN THE NIGHT (James Gray)
6/10
'A wealth of plot familiarities cloud what could have been an impressive piece'


WEATHERMAN (Gore Verbinski)
4/10
'A dull little study of parenting and neurosis that could have been much more'


WEDDING CRASHERS (David Dobkin)
6/10
'Original raunchy comedy but runs a little thin in places'


THE WEDDING DATE (Clare Kilner)
2/10
'Dull & thouroughly unoriginal. Debra Messing fans will think it's her best work and love it... morons'


WELCOME HOME, ROSCOE JENKINS (Malcolm D. Lee)
2/10
'I hate you Martin Lawrence, I hate you so much'


WHAT A GIRL WANTS (Dennie Gordon)
3/10
'I hate these Americans come to London and 'shake things up' flicks; they're always the same and they're always crap'


WHAT HAPPENS IN VEGAS (Tom Vaughan)
2/10
'Typically predictable ridiculousness from Diaz and Kutcher that will no doubt be long forgotten by the end of the year; suffice to say, what goes in Vegas.. well, you get the idea'


WHAT JUST HAPPENED? (Barry Levinson)
6/10
'Mildly engrossing but failed to deliver the punches I was hoping for'


WHEN A STRANGER CALLS (Simon West)
2/10
'US urban legend gets cinematic adaptation. Why? A four minute story stretched out for 87 minutes.. dull and pointless'


WHITE CHICKS (Keenen Ivory Wayans)
1/10
'I don't usually swear on this section of the site but this film was SO FUCKING STUPID! The Wayans could never pass as women! Does no one see this fundamental flaw in the script!?'


WHOLE NEW THING (Amnon Buchbinder)
7/10
'Difficult subjects, well tackled by a director who took a seven year break'


WICKER PARK (Paul McGuigan)
3/10
'French remake mutated into improbable drivel'


THE WILD (Steve 'Spaz' Williams)
4/10
'Disney once again squats over the cinematic world and pinches off a fresh loaf of cloned talking animal bunkum.. but with a director who refers to himself as 'Spaz' everything falls into place'


WILD CHILD (Nick Moore)
2/10
'Oh look! An American shaking up the stodgy British. Do me a favour'


WILD HOGS (Walt Becker)
4/10
'The Americans call sausage rolls 'pigs in a blanket.' I kind of like that term (as stupid as it is) and see its close relation to this film; Wild Hogs: Pigs In Leather'


THE WIND THAT SHAKES THE BARLEY (Ken Loach)
9/10
'More politically steeped than Jordan's Michael Collins, yet remains a desperately important film'


WITHOUT A PADDLE (Steven Brill)
3/10
'Silly little film that lost its way very quickly'


THE WOMEN (Diane English)
3/10
'Damn you! How dare you remake this movie!'


THE WOODSMAN (Nicole Kassell)
7/10
'Wonderful deliverance from Bacon, pity about the ending'


WOLF CREEK (Greg McLean)
5/10
'You could sleep through the two thirds of the film and you wouldn't miss anything'


THE WOMEN (Diane English)
6/10
'As a fan of the 1939 remake of the original play, I'm rather unimpressed. Having said that, it's more entertaining than most modern subtle-feminist movies'


THE WORLD'S FASTEST INDIAN (Roger Donaldson)
6/10
'Entertaining family film with a terrific performance by Hopkins but far too convenient for me to enjoy myself'


WORLD TRADE CENTRE (Oliver Stone)
7/10
'Unlike Stone's previous works but still well filmed and tastefully done, having said that there are too many dull, sappy moments to keep the audience glued'