The Red Right Hand
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Oo


O BROTHER, WHERE ART THOU? (Joel Coen & Ethan Coen)
9/10
'Beautiful stylised film'


OBSERVE AND REPORT (Jody Hill)
6/10
'In places, an extremely humorous effort but too many elements fail to connect, leaving Observe And Report a rather underdeveloped piece'


OBSESSED (Steve Shill)
3/10
'Hollow thriller that wishes it was Fatal Attraction'


OCEAN'S ELEVEN (Lewis Milestone)
7/10
'Entertaining, if somewhat silly, outing with a modestly satisfying ending'


OCEAN'S ELEVEN (Steven Soderbergh)
5/10
'In certain ways, better than the original but I preferred the 60's ending'


OCEAN'S TWELVE (Steve Soderbergh)
3/10
'That's right, read my lips: it was abysmal!'


OCEAN'S THIRTEEN (Steve Soderbergh)
5/10
'In true 2007 three-quel style, Ocean's Thirteen entertains but doesn't really hit the mark'


OLD SCHOOL (Todd Phillips)
7/10
'It's no Animal House but Old School still hits all the right notes - you have no idea how close I came to use a teaching/learning pun; be thankful!'


OLDBOY (Chan-wook Park)
[Oldboy - Korean]
10/10
'Twisted and surreal but thoroughly brilliant!'


THE OMEN (John Moore)
6/10
'Another remake of a classic horror film that will go over the heads of contemporary, desensitised audiences. Shame really as the original is so good'


ONE FINE DAY (Michael Hoffman)
6/10
'Refreshingly smart, witty script for a release stemming from a genre littered with saccharine nonsense'


ONE FLEW OVER THE CUCKOO'S NEST (Milos Forman)
10/10
'Both Nicholson and Forman's finest hour'


ONE MISSED CALL (Eric Valette)
2/10
'When are people going to learn that phone calls were only scary in Scream?'


OPEN WATER 2: ADRIFT (Hans Horn)
1/10
'Don't waste your time with this one, it's completely dire!'


EL ORFANATO (Juan Antonio Bayona)
[The Orphanage - Spanish]
7/10
'Not greatly original but an extremely rewarding and incredibly tense horror-chiller'


THE OTHER BOLEYN GIRL (Justin Chadwick)
6/10
'A fairly commendable piece that neatly compliments the Elizabeth series but feels a little too much like a soap opera to have a lasting positive effect'


OUT OF SIGHT (Steven Soderbergh)
7/10
'Curiously compelling crime romance but not nearly one of Soderbergh's best'


OUT OF THE BLUE (Robert Sarkies)
8/10
'Incredibly well-filmed docudrama that neatly avoids over glamorising the horrors of the real-life incident'


OUTLAW (Nick Love)
6/10
'An interesting piece that certainly warrants a look but it's definitely no Taxi Driver'


THE OUTLAW JOSEY WALES (Clint Eastwood)
8/10
'As true as 70's Westerns got'


OVER THE HEDGE (Tim Johnson)
7/10
'Despite the awful sounding premise, Dreamworks have produced a sound and entertaining comedy to add to their CV'


OXFORD MURDERS (Alex De La Iglesia)
2/10
'Incredibly dull murder mystery, despite an interesting cast'